July 7, 2008

Secret Tricks for Making Your Writing Sound More Compelling

The whole point of writing is to create something a great deal better than we “really” talk - a great deal more interesting, more thoughtful, and more effective in every way - but to make it sound as natural and effortless as talk. What can help us? Only one thing - the rhythm of speech.
This is the one thing we can borrow from it, the one thing we must borrow if our written words are ever to achieve an air of naturalness.

All spoken language, no matter who the speaker may be or what his subject is, has a natural rhythm. We hear this rhythm, wherever we hear talk. Rhythm is the way how the writing sounds. “It is considered to be a delicate and subtle aspect of writing, which is felt deep inside, and is actually, quite tough to teach.” Michele Pariza Wacek

Rhythm is a powerful element in your writing, which helps you generate sound images, sight, and feelings for your reader.

NB! The first principle of rhythm in writing, to capture the basic rhythm of speech, is variation of sentence length.

The important thing to remember is that the length of sentences in all speech is always erratic, always changing. One can notice that in written language, quite on the contrary, every sentence has exactly the same length. And as frequently happens when does not vary, almost every sentence has the same monotonous structure. Nobody talks like that.

* Hence, it’s advisable to write with a talking rhythm varying the length of sentences to suit the material. Generally the short, choppy and sharp sentence gives emphasis; the long, involved sentence provides depth and color. Together with the medium-length sentence they give writing the tone and rhythm of speech.

A cultivated awareness of rhythm inevitably increases the reader’s pleasure, and heightening an emotional experience.

* Another requirement for good sentence rhythm is regularity in the larger design of the sentence. This is a most attractive and effective rhetorical device, known as the balanced or parallel constructions. The matching of phrase against phrase, clause against clause, lends an unmistakable eloquence to your writing.

Daniel Kies asserts in his article “Sentence Euphony” that good writing is euphonic, which is pleasing to the ear and affirms that “…establishing and maintaining effective rhythm in writing is a combination of using parallelism for balance and controlling sentence endings for emphasis.”

* One more significant requirement for rhythm is that it should be appropriate to the context; a passage of exciting and vivid nature demands a rapid rhythm, while a passage of quite imaginative beauty - a slow one. Readers come to associate certain rhythmic effects with certain intentions on the part of the writer or speaker.

Rhythm, in other words, has its connotative value. In this meaning connotation may be employed to affect emotions. Consider the following example:

“Who can say at what point the revelations come? A man falls in love….. or suddenly sees the growing character of his son….. or knows the quick pride of being needed, although no longer young. Each has his discoveries …. a series, making up the sharp core of life. From birth and being…..through youth, maturity, and lengthening years…each follows his own way, and hopes to find it good. We believe that this is as it should be… we believe, too, that this is as it should be… we believe, too, that we can help plan to make your way a little easier, whatever it may be.”

* The key to the effective writing is the carefully wrought sentences. Many of the devices of good writing are demonstrated in this passage; these are the balanced clauses, the repetition of sound to give the effect of alliteration or internal rhyme, as well as the selection of words weighted with a certain kind of connotation.

Here the dots are used as rhetorical method of suggesting continuation of thought and mood even after the actual words are spoken. The reader is expected to imagine more than the words themselves convey.

Reading this passage a person is put into a meditative frame of mind: he is asked to meditate, that is, on whether he has enough insurance. This passage appears to be an extract from a book of meditations, and only the last sentence identifies it as a commercial appeal.

In short, written sentences should have the sound of speech, and the means to the naturalness is through variety in sentence length, avoiding long sentences, using parallel and balanced constructions, and making your writing rhythm appropriate to the context.

Linda Correli is a staff writer of http://www.CustomResearchPapers.us/ and an author of the popular online tutorial for students “What Teachers Want: Master the Art of Essay Writing in 10 Days”, available at http://www.Go2Essay.com/ Visit Linda’s web log at http://custom-research-papers.blogspot.com/

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May 21, 2008

The look in her eyes - Part 1

Fire, fire, Natasha heard people shouting, she ran out of her
house and saw that there was fire everywhere. There seemed to be
so much of light all around her that she could not see anything.
There is nothing like certainty in life things can change any
time, any minute. Her mind was spinning; she suddenly remembered
that her baby was sleeping inside the house. She ran back into
the house. She looked at the clock hanging on the wall. It was
11 pm. She had seen this before, surely she had. The same clock
the same time; she had heard the same noises.

Something was very familiar about this scene. It seemed like she
had lived this before. Nancy tried to put away her thoughts. She
ran indeed the house calling out “Romi, get up there is a fire”.
She picked up Romi from the bed. Suddenly she threw him out of
the window and jumped. She new it for sure that there not much
time to go downstairs and walk out of the door, the house would
come down. There was someone outside ready to catch Romi. How
did she know that someone would be there to catch her baby? She
was on the ground and Romi was safe in a strangers arm. The
house was falling into pieces. It seemed like all this had
happened before and she had seen it. Maybe it was her dream
turning into reality, dreams that were haunting her. Fear smiled
on her face.

To be continued…..

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April 21, 2008

Money Trails for Writers

I’m willing to bet that quite a number of you once had to debate (or discuss) the saying: “The pen is mightier than the sword.” If you were arguing ‘for’, you would have been able to come up with many examples of how words triumphed over muscles.

The fact is, words can triumph over just about anything. Even if you acknowledge the occasional truth of another saying, “A picture paints a thousand words”, any picture has its limitations. If the viewer is not certain what the picture is about, it takes words to explain. It also takes words to theorize about what led up to the picture, what happened after the picture was taken, drawn or painted, and the many reactions that the picture might prompt.

Visualize a website you’ve visited recently. Imagine it without pictures. Could you still find out what you wanted to know - or order the product you were after? The likely answer is ‘yes’. Now imagine it without words. What’s the situation this time? You’d be floundering.

What has this got to do with your writing career?

Everything.

If you can use words well, you can find a way to make money in many, many different arenas. Really, a competent wordsmith is spoiled for choice. Quite a number of writers (myself included) have found themselves in the happy situation of having to decide which trail to follow - because the load is too great if you try to do everything. In my case, I had achieved success in writing short stories, writing articles, writing books for children, writing promotional material (copywriting) and ghostwriting. I was working far too many hours a week… something had to give.

In the short term I focused on writing books for children, but this eventually gave way to writing ‘how to’ material and website copy. Now, I run an internet business and specialize in e-books and multi-media products. Words are still my business, but in many different ways. I have proved beyond doubt that there are endless opportunities out there for writers.

Money Trails: Where Your Writing Skills Can Lead

Here are just a few of the options for a skilled writer:

  • Writing articles - for magazines, websites and ezines

  • Ghostwriting - write for others who are either too busy or don’t have the skills (or both)

  • Copywriting - website copy, advertisements, promotional material, catalogues and much more

  • Writing books (fiction) - for children or adults. There are countless genres - crime, mystery, romance, adventure, fantasy, thriller, suspense, science fiction, westerns, historical and many more.

  • Writing non-fiction books. This is a huge field, both online and offline. Write for adults or children or in-between. Note: E-books are easy to produce and easy to sell, once you’ve learned the basics of selling online. Thousands of people are searching for ‘how to’ advice every day.

  • Creative pursuits - greeting cards, hand-made cards, hand-made books, decorative scrolls etc

  • Scriptwriting - plays and film scripts, for adults or children. Not easy to break in, but can be very, very lucrative.

  • Editing and Proofreading - if you have a strong background in English style and grammar, there’s ongoing work here. You need to establish a track record before you advertise, and be ready to produce samples of your work. There are a number of courses available to give you formal qualifications in this field.

  • Critique Service - if you already have writing credits, or a strong record in critiquing the work of published writers, you can establish a critique service. Set up a website and you’ll contact many more people.

  • Resumes - There’s a steady stream of people looking for organized, reliable writers to translate their work experience into an impressive resume.

  • Family histories - this is a specialized niche worth exploring. Set up some templates on your computer, obtain some basic equipment to scan photos/documents, and you can help others to organize their family stories. A good digital voice recorder is useful too.

  • Column Writing - If you are an expert in a certain subject, or have a great sense of humour and a whimsical ‘take’ on everyday life, explore the possibility of writing a regular column for your local newspaper or a specialist magazine. This can lead to bigger things later.

These 12 suggestions barely scratch the surface of career options available to writers. It’s one of the most flexible and portable careers available. Why not think hard about where your skill with words may lead? Finally, here are a few questions to help direct your thinking:

  1. What do I most like to read? (Fiction or non-fiction? Romances or thrillers? Biographies or ‘how to’?)

  2. What do I like to watch on TV? (Reality shows? Cop shows? Soap operas? The Discovery Channel? History?)

  3. What kind of writing makes the hours at the keyboard fly past?

  4. What is the best ‘fit’ with my life now - short stories, articles, a novel, ‘how to’…?

Once you start thinking about what you really want to write, you might be surprised to find yourself going in an entirely different direction. The only thing for certain is this: there are many trails that a writer can follow - and a number of them have the potential to bring in a very comfortable income.

(c) Copyright Marg McAlister 2004

Marg McAlister has published magazine articles, short stories, books for children, ezines, promotional material, sales letters and web content. She has written 5 distance education courses on writing, and her online help for writers is popular all over the world. Sign up for her regular writers’ tipsheet at http://www.writing4success.com/ and if you want more money-making ideas for writers, get your f-r-e-e copy of Hidden Writing Opportunities here: http://www.writing4successclub.com/writing_opportunities.htm

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April 10, 2008

Why I Write Horror

These are some of the snapshots I carry with me:

My father coming up to visit me after first being diagnosed with leukemia. The visit was a surprise, and he brought a new computer with him. As he carried it into the house, he said, “This isn’t yours, but I’m going to let you use it.” Later that afternoon, he told me he was dying. We spent the entire weekend playing with the computer, trying to write crude DOS programs and get it to do what we wanted. It was as close to him as I ever felt.

Carrying my dog Seth into the veterinarian’s office and placing her on the cold stainless steel table. Her so well behaved, as always. Me fighting back the tears in front of the doctor. She had been diagnosed with bone cancer and her limp was so dramatic that every step had to be excruciating. I couldn’t stay to watch him put to her to sleep. It just hurt too much.

Answering the knock on the door at three-thirty in the morning and stepping outside, where ashes were floating down out of the sky like giant snow flakes. The Fountain Fire, which had started nearby and had burned some 65,000 acres while moving away from the house, had turned back during the night. I remember the acrid smell of smoke in the air. The sense of urgency and danger, mixed with utter silence and an odd, surreal beauty I don’t think I’ll ever be able to describe. The house, fortunately, was spared.

Standing in my father’s hospital room, watching him as each breath gradually grew a little shallower. Some so faint I wasn’t sure if he had taken a breath at all. Finding myself counting the seconds after his last breath, time stretching out further and further, and then the realization … the moment’s passed. It’s over. He’s dead. He’s never going to take another breath. He’s never going to smile again, to laugh. A piece of the foundation of my life has just disappeared.

My mother giving me a copy of Ray Bradbury’s The Toynbee Convector for Christmas. It was her last Christmas, and we both knew it would be her last. The smile on her face, because she knew I was a Bradbury fan. I asked her to sign it for me. After she died, I bought another copy for reading. I keep the copy she gave me safely tucked away, where I can pull it out whenever I need and remind myself how lucky I am.

Believing in Santa Claus until I was ten years old. Every Christmas we would go for a long drive through the surrounding neighborhoods on Christmas Eve to see the decorations. When we returned home, there would be a fire in the fireplace and presents under the tree. I like believing in Santa Claus. And the Grinch, too. Oh, and it was my grandparents who put the presents out each year.

My father dropping my sister and I and a friend off at the State movie theater to see a cartoon festival one Saturday morning when I was eight. It ended up being the wrong theater. Instead of cartoons, we watched a movie called Terror From The Year 2000. It was the first movie that ever scared me. For years, I was haunted by visions of a purple woman mysteriously materializing behind me.

Reading Edgar Allen Poe stories at my grandmother’s house at night in bed when I was a young boy, and how wonderful they were.

The Book Mobile that came by the house once a week when I was a boy. Looking back on it now, it was a tiny little thing. But it seemed cavernous at the time. I remember the excitement of climbing up the steps, the smell that was somehow ancient and new all at once, the plastic covers, the tall shelves.

My sister sneaking out of the house in the middle of the night as a teenager to go hang out with her biker boyfriend. She got caught. Her bedroom window got nailed shut. She was the bad seed. I was the good son. Of course, as adults, she’s far more responsible and level-headed than myself.

My best friend when I was eleven, sneaking into our house while we were away and stealing all my marbles. He left a perfect path of footprints leading directly back to his house. I asked him to return the marbles and he did. We remained friends, but it was never quite the same after that. I had something over him and neither of us like that.

Spending the night alone in the Community Center in preparation for a huge arts and crafts sale the next day. I was there to make sure nothing was stolen during the night. It was cold and dark and eerie. There were Christmas ornaments everywhere. Little gingerbread houses with gum drop roofs. Miniature rocking chairs with Mrs. Santa in place. Ceramic statues of little elves. Reindeer made of wood and felt and pine needles. Nightmarish. Absolutely nightmarish.

Walking down a path in the mountains late at night, following what little moonlight there was, and having someone jump out behind a tree, completely unexpected, and scream. On the outside, I barely flinched. Inside, I thought my legs were going to give out and I couldn’t stop my heart from pounding.

Me and three friends being pulled over by cops because they were looking for someone and we apparently fit the bill. The ordered us out of the car, had us put our arms on the vehicle and spread ‘em, then frisked us and asked for I.D. It was as guilty as I ever felt for having done nothing.

Becky, who was an excellent diver, trying a dive off the diving board at summer camp and coming down on her face. For weeks after, she walked around looking something like the Elephant Man, her nose swollen and twisted to one side, huge black-and-blue stripes beneath each eye. I wish I had a camera.

A boy in sixth grade running out into the street to get a baseball and getting clobbered by a car. We all gathered around to watch as he walked in circles, his eyes glassy, repeating over and over, “I just wanted to get the ball. I just wanted to get the ball.”

Old Airport Road, where one night two young teenage lovers went barreling down the dead end until they slammed into the embankment and totaled their car. I was ten. My sister was nine. My father heard the sirens. He scooped us up, put us in the car and followed the ambulance to the accident. I remember there were shards of broken glass everywhere. The air was sharp with the smell of oil and gasoline. We watched as the two teenagers were strapped into gurneys and each stuffed into an ambulance. Their faces were a bloody mess. The girl was groaning nonstop. I don’t know if they made it or not.

The night I left the front yard when I wasn’t supposed to, so I could show a visiting neighbor where my school was. Most particularly, I remember the whipping I got when my father finally tracked us down several hours later.

The first time I ever shoplifted something. I was eight or nine, and I had gone to the store to pick up some bread for my mother. While I was there, I slipped a candy bar into my pocket. Not being terribly proficient at it, I think a bit of the candy bar was sticking out. When I went to the check out counter, the cashier suggested we get some “fresher” bread. I followed him back to the bread shelves, where he casually asked what was in my pocket, and before I knew it, I was in his office and he was calling the police. I don’t think he actually called them. I think he was just trying to scare me, which believe me, he did. He ended up giving me a lecture and telling me to have my mother come see him next time we came to the store. I never told my mother. And I hated it every time I had to go anywhere near that store again.

The dogs barking one night, and me blindly following them out into the woods to see what the fuss was all about. We stopped in front of a stand of manzanita, maybe two or three feet away, and suddenly a coyote let out a howl from the other side. The dogs started barking again, and there was some rustling around in the dark. I didn’t stay to see what it was all about.

The babysitter, an older woman who cared for us during the day while our parents worked, washing my mouth out with soap. I don’t remember what I said, but I do remember that it was the only time I had ever had my mouth washed out with soap.

Taking a walk down the long driveway out to my mail box one afternoon, and finding a cow’s heart and intestines dumped in a pool of blood in the middle of the road. Apparently, someone had stolen a local cow during the night and slaughtered it in my driveway, which was hidden just off the main road. Or aliens had visited the area. I guess I’ll never know for sure.

Working on the roof of a house with my father and grandfather. This was a new house, the family’s “dream house,” that would eventually take two full years to build. We were cutting and laying wood shakes. Off to the side, I caught a glimpse of my father climbing down the ladder. I peered over the edge and asked him what was up. “I’m going to the hospital,” he said. “I cut my finger off.” He hadn’t said anything when it had happened. He hadn’t yelled or screamed or cried. He had picked up his finger, and climbed down the ladder, fully prepared to drive himself to the hospital. My grandfather ended up doing the driving. I stayed behind and continued working on the roof, absolutely amazed at my father’s calm reaction to such a horrifying event. I was fifteen. I still got excited about slivers.

Cutting wood for winter one August afternoon. Pacific Gas & Electric had come through last summer and leveled a number of pines while installing an electrical line into the back of the property. I had taken the chain saw to one of the piles, unaware that nearby a nest of yellow jackets had built a hive in the ground. Apparently, they didn’t care much for all the racket. Before I realized what was happening, I found myself under attack. It was a long, long run before the last of the persistent fellows finally gave up the chase. I was fortunate to come away with only five or six stings.

Going up for a rebound while playing basketball when I was in my early twenties and coming down wrong on my foot. I ended up on my back, and when I raised my head to see what had happened, I discovered my right foot pointing the wrong direction. I had dislocated it. On the way to the hospital, I couldn’t remember where I lived. Once I got to the emergency room, they had to put me under because they couldn’t get my foot back into place and every time they tried, I screamed. Even in my twenties, I couldn’t find the composure under adversity of my father.

I carry these snapshots with me wherever I go. Some were taken at the most significant moments of my life. Others were taken for reason I cannot fathom. All I know is they are always with me. Yet each, in its own way, has contributed to my fascination with horror.

I write horror not because I’ve lived it, but because it charms me, because I see its place in my live and the lives of others around me, and I want to understand it.

About The Author

David Silva

The Successful Writer

http://thesuccessfulwriter.com

dbsilva@earthlink.net

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